Listen to Liverpool's first supporters song

While Arnie, the editor of LFChistory.net, was looking through the 7th of September 1907 edition of the Liverpool Echo in the Liverpool library he came across "Hurrah for the Reds" composed by W Seddon on 31st August 1907. This was a fantastic find as Liverpool Football Club had no record of such an old supporters song composed only 15 years after Liverpool Football Club was founded and with notes attached so you could reproduce „Hurrah for the Reds“ a century later! LFChistory.net contacted Paul Wilkes, a singer/songwriter from Liverpool, who so graciously agreed to record the song for us. . Here you can listen to this wonderful song!

It‘s like going back in time to listen to „Hurrah for the Reds“ and you can imagine it being sung in the pubs around Anfield in 1907. The song mentions Hewitt and Mac in attack who are „the gentleman“ Bill McPherson inside-right and centre-forward Joe Hewitt who was a member of Liverpool's staff after his retirement in 1911 as coach, club steward and press-box attendant for nearly 60 years! Goddard and Cox are of course Liverpool Hall-of-Famers; wingers Arthur Goddard and Jack Cox. Raisbeck the fox was Liverpool‘s talisman for a decade, Alex Raisbeck, who should always have a place in Liverpool‘s all-time greatest team. Hardy to hold the fort is „Smoking Sam“ Hardy who is one of the best keepers in the club‘s history.

The lyrics go like this. Hurrah for the boys to play the game. Hurrah for the Reds! Hurrah for the boys there's none can tame. Hurrah for the Reds! There's Hew-itt and Mac to lead the at-tack! With Har-dy to hold the fort, boys. There's God-dard and Cox, and Rais-beck, the fox. And more of the good old sort, boys. Hur-rah Hur-rah Hur-rah Hur-rah Hur-rah for the Reds! 

W Seddon wrote down his address as being 4 Radnor Place in Tuebrook and it would be interesting to know if he wrote more LFC songs. So if anyone knows more about him he/she should get in contact with LFChistory.net.

This recording has already got a tremendous response by those closely associated to the club and was featured on LFC.TV on 5th Januar

~ Thx Google ~

Spotlight on the promising Steven Gerrard aged 12!

Here's a great article from Liverpool's match programme vs Manchester United on 6th March 1993. We hope this promising boy amounted to something in the game.

The Story Of The Liverpool FC Crest

The crest of Liverpool Football Club is known worldwide. One may wonder how it came into existence & developed through time to become what it is today.

The animated club crest is based on a small plastic plaque that I have had since I was a boy in the 1970s. The crest itself is an early version of our club crest used between 1970-1992, a crest that had many variations during that period.

I still possess the plaque which is a cheap and a worn piece of plastic, yet it is also to me a priceless, sentimental piece of personal history. It is a version of our club crest that was used from around 1970 until our centenary in 1992. I have never seen a version of our club crest of the time that exactly matched this plaque, so it was a little bit of a mystery as to how “official” it was. My search into this matter would provide me with one surprising discovery that would bring a smile to my face. More on that later on...

This is the first crest that appeared on our team shirts: a Liver bird, on a pedestal or perch of some sort, in an “elegant” shield. Now here’s the thing: this crest does not appear on our team shirts until post WWII.  Here it is on the white away shirt from the FA Cup Final runners-up 1949-1950 season on display in the Anfield museum. You can also see the crest on this team pic from the 1953-1954 season.

So what did the original crest look like and how many were there before the 1950s? Was it simple or elaborate? Was it in a shield of some sort or on its own? Did it look like the one used by Liverpool Council? (which has recently changed to a simpler style).

What use was there for the Liverpool club crest before it started to appear on our team shirts? Was it used on official documents, stamps or seals, pennants, if anything? Was there any merchandise or official club clothing with it on? I wanted to fill that 50-year gap in my – or our – knowledge. 

A Liverpool crest of some kind is first mentioned by reported Field Sport on 19 September 1892 in Liverpool's inaugural season. "A new man - beg pardon, a flag - floated on the old staff, bearing the letters, L.F.A. surmounted with the liver. Right proudly did it wave over the field of battle and seemed to beam on its patrons with a hopeful smile.“ 

The club crest, as you may very well know, is based upon the city's coat of arms where the Liverbird is prominent. The Liver bird is a subject in itself, and is essential to our crest's history. To keep that brief, the following text and image are taken from The Heraldry of the World web site:

"The arms were granted in 1797 and show a cormorant with a piece of seaweed in its beak. The cormorant also appears on the crest. The supporters are a Triton and Neptune, the God of the sea. They hold banners with the cormorant and a ship. The arms shows the importance of the sea to the city of Liverpool.

The cormorant is often referred to as the Liver Bird, and is used widely in the city. Liverpool was founded in 1207 by King John. He needed a new port to ship his troops to Ireland and to control the Irish Sea. The new town adopted King John's seal as its own. The seal showed the eagle of St John holding a sprig of broom in its beak. The broom, or planta genista was the symbol of the royal house of the Plantagenets.

In 1644 the seal was lost and a new seal was made. For some strange reason the eagle was replaced by a cormorant, a more familiar bird in the area. It is likely that the artist mistook the eagle for a cormorant. The piece of broom was replaced by a piece of seaweed. The cormorant became later known as a mythical liver bird.

The motto can be translated as "God has bestowed these blessings on us", and is taken from Virgil."

Other translations I have seen of the motto DEUS NOBIS HÆC OTIA FECIT is "God has given us this tranquility" or "God hath granted us this ease." It's apparently taken from Virgil's epilogue (Epilogue 1,6) and, in context, is a eulogy of the idyllic country life. 

Above could be the first club crest. This is an image of a medal that was given to Tom Robertson when he won the League title with Liverpool in 1901.

The Liver bird is at the forefront on Liverpool's banner from the 1921-1922 championship season: Text with picture: "To-day we are able to give an exclusive picture of the Liverpool Football Club's new flag. The old one has become torn and tetered in the exigencies of the service, and was more like a big shirt, the tale of which was told and and the "tail" shredded. The new flag tells the world at large that Liverpool were champions last season and on two other occasions. There is quite a prospect that the flag will have to be brought down and another honour added to it as the result of this season's work. In between the three, how would the words "Winners of the English Cup 1922-23" fit? Very well, we think."

Above is a club crest used on cover of Liverpool FC's programmes from September 1935 in the first season after Everton and Liverpool stopped sharing the programme.

The ‘break’ that WWII imposed upon the official league programme of fixtures, from 1939-1946, seems also to have been when the club crest first changed, but I have not been able to pin down exactly when. What I have found out is that it appears to have been a reluctant change. It seems that the City Council either refused to give continued permission for the city’s crest to be used or perhaps permission may have never been given in the first place.

I glean this from the fact that, on 13 December 1961, The Liverpool Echo reported that Liverpool City Council had turned down a request from Liverpool FC to use the city's Coat of Arms as its club crest. It was turned down by the "Finance and General Purposes Committee" before the decision was confirmed at a full Council meeting. The Club directors were reported to be "surprised and disappointed" at not being allowed to follow the likes of Newcastle United (amongst others), who wore the "coat of arms of their municipality." The board felt that the club could do more for the city by wearing the Coat of Arms in games in England and abroad. The club crest became something other than the city's crest, with a life and development very much of its own.

Below is a timeline displaying how the club crest evolved after WWII. I have differentiated between the crests worn on the shirts form those appearing on merchandise, such as tickets and programmes, as until 1992 they differed from each other.

 The 1947 merchandise crest reminds one of a certain club crest that might make you want to spit, but it appears to have been our official club crest on programmes and documents until 1970 although it was still used by the club, in some regard or other, until 1974. One isolated use of it after that date was on the cover on the 1981 European Cup Final programme. 

Depictions of the subsequent crest, used from 1970 until 1992, varied considerably. During the 1970s in particular, differing versions appeared on official tickets, documents and programs, overlapping each other's usage. One particular depiction of the crest though, found on club tickets as early as the 1972-73 season, appears on slightly later documents as a Registered Trade Mark, suggesting it was 'the one' (see the text under the crest at the bottom of the letter, below). 

However, as the variations of the crest were all slight enough so that they could be described and therefore considered as 'the same' crest, they would have been protected under that same Trade Mark Registration. In other words, they were all official. This would perhaps partly explain the apparent 'laissez faire' attitude of the club towards the various crest depictions that appeared and their inconsistent and over-lapping usage: So long as it was close enough to that design, it was OK.

When checking the current state of words and images that are registered as Trade Marks by the club, I received my pleasant little surprise.

I was not too surprised with what the club has currently registered (which you can check for yourself through the Intellectual Property Office web site), and indeed they still have one of the variety of club crests used between 1970-92 registered, which as I say, should cover any and all such used. The pleasant surprise for me was which one.

It was not the one that was so prevalent and appeared on official documents; nor any of the ones that appeared on club programmes; but the exact same crest as depicted on my old plastic plaque!Check it out for yourself: go to the IPO site and look for the Trade Mark under reference 1099121.

It is likely, although old records no longer exist to confirm this, that this was merely the last one of several Registered Trade Mark images in the 1970s, as whilst it should cover the various ones used, the Club probably registered more than one version in order to be safe. The others would have been left to expire over time and when the crest changed in 1992, the last one remaining registered by the club was kept current in order to continue to protect its interests, with regard to “retro” style clothing and other merchandise, such as replica kits with this crest on, from 1987-1992.

Examples of crests used from 1970-1978 (left), 1971-1979 and 1979 -1984 (right)

An end to the apparent division between shirt and merchandise crests started to come about in 1987, when the shirt crest (aside) was altered to match the merchandise, and ushered in the beginning of a more co-ordinated approach in the use of our club crest. This shirt crest still retains the Liver bird look that seems to have evolved over time on our shirts, probably because of the nature of embroidery. Our current Liver bird appears to have come about as a 'merger' between the printed or merchandised versions, and the appearance that a stitched or embossed design on the team shirts gave. 

When the crest was significantly altered for the 1992-93 season, to mark our club's centenary, this historic and symbol-ridden change led to a 1993 post-centenary version, with more symbolic changes, before the crest was changed to our current crest, c1999.

 ~ Special thanks MR.Google for my research ~

 You'll Never Walk Alone 

RASTAFARI MOVEMENT

The history of Rastafari begins in Africa, or wht is known to Rastas S Ethiopia. Whn European pwers wre tking over  around da world, many took Africans S slaves, divided them up n sent them to their newly captured colonies. Fr da African ppl, ths cptivity marked the suppression of their culture n thy knew the areas of captivity as Babylon.

The Rastafari movement itself began on the island of Jamaica in the 1930s. It was led by a black political leader by da nme of Marcus Garvey (a man rastas consider a prophet). Garvey led an organization called the Universal Negro Improvement Association whose purpose was to unify black people with Africa, their land of origin. Garvey taught his followers to “look to Africa where a black king shall be crowned, he shall be your Redeemer.” This statement was the foundation of the Rastafarian movement.

Ths statement was considered a prophecy n was soon followed by the crowning of Haile Selassie I as the Emperor of Ethiopia. Rastafarian saw this as the fulfillment of Garvey’s words. Haile Selassie, whose real name was Ras (Prince) Tafari Makonnen, became known as the Black Messiah or Jah Rastafari. Selassie is a symbol of salvation and Rasta’s believe he will save blacks from white suppression and reunite them with their African homeland.

In the mid-1930s the first branch of Rastafari is believed to have been established by Leonard P. Howell in Jamaica. Howell talked of the divinity of Haile Selassie and preached that blacks would one day gain superiority of whites. His message encouraged other people to spread the word of Rastafari, and this marked the first uniting of Rastafarians. It brought hope to blacks that one day they would be free and return to Africa. It also created a path for the movement to move forward. In 1948 Haile Selassie donated the Ethiopian land of Shashamane for the use of blacks from the West Indies. Numerous Rasta settled there in the years that followed.

1966 marked the first visit by Haile Selassie to Jamaica. The island’s people greeted him with great excitement and enthusiasm, and until that time he had never confirmed of denied his divinity. During this time Reggae was gaining popularity and at the same time was introducing Rastafari to the world. Some more traditional Rastas were concerned by the popularity reggae gained, fearing that their faith would be commercialized instead of being thought of as a legitimate religion.

Today there are a relatively small number of Rastafarians in the world (roughly 265,000), but they have had a great influence on Jamaica an its culture and continues to be a symbol of the island nation... aire ~

Lion Of Judah , Flag & Dreadlock

LION OF JUDAH

The Lion of Judah comes frm da Bible’s Book of Genesis.In Judaism,da lion symbolizes da Tribe of Judah. In Christianity, it is assumed to rpresent Jesus Christ who is dscribed S “The Lion of Judah.” 

 Haile Selassie

In Rastafari, Haile Selassie is considered to B Jah (God) n  is seen as both da reincarnation of Christ n da lion mntioned in da Bible’s Book of Revelation, therefore, he is “The Lion of Judah.”

In addition to da biblical significance ofda lion, it also represents da struggle n da strength tht rastas endured @ da hand of their oppressors.Da lion can be found on da Rastafarian flag n many other things associated wif Rastafari..

OTHER SYMBOLS

There r also a nmber of other symbols tht hve a great deal of meaning in Rstafarian culture.These symbols include: da Rastafarian flag, dreadlocks n  ganja ~

RATAFARIAN FLAG

The colors red, gold n green r closely association wif da Rastafarian Movement.Thy come frm da old Ethiopian flag used during da reign of Haile Selassie.Da clors symbolize Rstas loyalty to Selassie,Ethiopia n Africa n thy r frquently seen on clothing, hats n other decorations in jamaica

Each color of da flag stands fr smething rastas blieve in. Red stands fr da blood tht bleeds to da Earth, replenishes da land n helps to grow ganja. Green stands fr da vgetation of Africa n yellow stands fr da prosperity Africa offered b4 da extraction of diamonds n gold during slavery. It also represents da sun, which gives life to all. In addition toda clors of da flag, black is also significant to rstas.Da colors of da Ethiopian flag, along wif black,make up da colors of “Pan-African Unity” for Marcus Garvey, a man who is considered a prophet and a leader in da movement.

DREADLOCKS

It is believed thtda 1st Rastafarian dreadlocks came from Kenya in 1953 whn images ofda independence struggle in Kenya displayed ppl wearing dreads.These images mde their way to Jamaica through pblications

During tda Rastafari Movement, rastas grew n wore their hair in dreadlocks to draw a distinction frm da straight, thin hair of their oppressors.Dreads wre also a way for thm to accept personal beauty n da differences btween Jamaicans n da white ppl. In addition, dreads symbolize da mane of the Lion of Judah and the Rasta rebellion against Babylon (the capitalistic, materialistic, and oppressive world).

or Rastas,da growing of dreadlocks is also a spiritual n mental journey tht teaches patience. It is blieved tht it is ptience that allows for da hair to grow naturally without da use of cutting, combing, or washing wif anything except pure water.

Though many rastas hve dreadlocks, not all do. It is not a requirement of da religion, nor is it limited to Rastafari. Thy are worn by ppl in a no. of different cultures n religions, so dreads alone do not mke one a Rasta. Fr da Rastas who do wear dreadlocks, it is a symbol of loyalty to da religion.

GANJA

East Indians brought Ganja (also known as cannabis) to Jamaica in the late 1800s whn they 

were taken to DA island to work afta da end of slavery.The Jamaican climate proved to B da erfect place fr the plant to grow.

On da island, ganja started out as medicine used by herbalists. For Rastafaris,da smoking of ganja bcame a spiritual act often accompanied by Bible reading. Rastas believe it cleans the body and the mind and has the ability to heal the soul bringing one closer to Jah (God).

For Rastas, the illegality of the herb symbolizes the persecution of Rastafari. They see da smoking of ganja S a means to openingda mind to da truth-smething tht da Babylonian world does not want. It is also believed tht ganja aids in meditation n religious observance. Rastas also deem tht ganja hs Biblical sanction because it is talked about in the book of Genesis, Proverbs, and Psalms: “thou shalt eat the herb of the field,” Genesis 3:18.

SUMBER

~ GOOGLE ~

Black Block,A.C.A.B,Hot Coffee - The Documentary/Movie

Best & caiya film/documentary weh!

g-8 summits hve bcome synonymous wif political protest, civil unrest and running battles between activists and police. the 2001 genoa summit was a particularly dramatic affair, involving around 200,000 protesters n an army of officers whose violent handling of the situation led to a number of individuals being charged. the unprovoked attack on the diaz school which involved police storming the building as activists slept and subjecting them to savage beatings were the examples how brutal police was.

documentary interviews several activists who were at the diaz school and each of them recounts their own version of events. obviously they have all been affected by the experience and although their injuries have long since healed the mental scars remain.

black block reminds us that cinema can educate as well as entertain. you might not agree with the activists or care about there cause but their courage and determination to fight the good fight despite what they suffered at the hands of the state should inspire you and at the very least, earn your respect.

https://rapidshare.com/files/729983230/Black%20Block.part1.rar

https://rapidshare.com/files/4186186051/Black%20Block.part2.rar

https://rapidshare.com/files/3466822141/Black%20Block.part3.rar

a look at the controversial riot cops unit and their brutality…

https://rapidshare.com/files/4289603787/a.c.a.b.part1.rar

https://rapidshare.com/files/2987370324/a.c.a.b.part2.rar

https://rapidshare.com/files/3269359899/a.c.a.b.part3.rar

https://rapidshare.com/files/460691006/a.c.a.b.part4.rar

https://rapidshare.com/files/29511138/a.c.a.b.part5.rar

most people think they know the “mcdonald’s coffee case,” but wht thy don’t know is tht corporations hve spent millions distorting the case to promote tort reform. “hot coffee” reveals how big business, aided by the media, brewed a dangerous cncoction of manipulation and lies to protect corporate interests. by following 4 ppl whose lives wre devastated by the attacks on courts, the film challenges the assumptions hold bout “jackpot justice.”

http://ul.to/th91wp3n/HoCo.720.synstar.part1.rar

http://ul.to/dr32pkqp/HoCo.720.synstar.part2.rar

http://ul.to/6lm22j56/HoCo.720.synstar.part3.rar

sumber

https://www.google.com.my/webhp?hl=en&tbo=d&sclient=psy-ab&btnG=

Slingshot Hip Hop

” slingshot hip hop ” is da 1st feature-length dcumentary bout da plestinian hip hop mvement. at da cutting edge of dis emerging middle eastern youth culture, it is a fresh, complex n energizing window into contemporary life in plestine n israel, into one of da many identities tht arabs are exploring today. da dcumentary braids tgether da stories of young palestinians living in israel, gaza n the west bank S thy discover hip hop n employ it as a tool to surmount divisions imposed by occupation n poverty. frm internal checkpoints and separation walls to gender norms and generational differences, dis is da story of young people crossing daborders tht eparate them. on da one hand, ” slingshot hip hop ” penetrates S it shows how DA dstruction of plestinian homes, daily humiliation, violence N military attacks drain young plestinians energies. on da other hand, brings home da question ~

“ who’s da terrorist? ” as it follows da short history of Palestinian rap and its well-known pioneers

you also can download their album here

http://rapidshare.com/files/389536497/slingshot_hiphop.part1.rar
http://rapidshare.com/files/389538005/slingshot_hiphop.part2.rar
http://rapidshare.com/files/389590964/slingshot_hiphop.part3.rar
http://rapidshare.com/files/389538351/slingshot_hiphop.part4.rar
http://rapidshare.com/files/389440805/slingshot_hiphop.part5.rar

Northern Soul

 Selamat malam,selamat sejahtera & pada hari ini juga yakni 15 Disember 2012 perlawanan antara Liverpool V Aston Villa. Saya seperti hari sebelumnya ketiadaan idea untuk update blog kemungkinan besar pada masa ini pekembangan minda juga neuron terbantut. tapi saya akan cube juga untuk update blog ini..  Anda suka lagu lama,lagu-lagu northern soul?? northern soul juga sangat sinonim dengan budaya MODS.

Northern soul adalah music & dance movement yang muncul pada sekitar tahun 1960' ianya terdiri daripada gaya muzik jiwa Amerika hitam berdasarkan rentak berat dan tempo cepat pertengahan 1960-an..Banyak juga band-band dari tamla record ni 

dari the temptations,the lambrettas,Frank wilson,chubby checker,spyder turner & banyak lagi lah tak terlarat nak type...haha..

ok joe..kat sini ada 2 band.. try le dengar

The Temptations - With A Lot O Soul

JAMAICA FUNK - Original Jamaican Funk & Soul 45's

try la click link bawah ni.. download & dengar =) ~

http://www.mediafire.com/?8dmfzdz92sw

takde idea nak update blog lagi ~~~~~~ tido lah

December sudah

December sudah. Another year end, another bullshit pass by... And still dont have any idea to update my luvly blog...
today is 1st disember 2012 kan & sudah hampir ke penghujung 2012 & 2013 hampir tiba dan umur pn akan memuncak ke 25 tahun... wahhh!! sudah di usia pertengahan remaja rupanya ~ 

xtau apa yang hendak diceritakan..semalam aku memancing,& semalam jugak aku hilangkan rasa geli dengan cacing..seronok melihat keseksaan cacing bila disumbatkan ke dalam mata kail                 

  

pastu letak 

pastu tunggu dengan penuh santai..

dan melepak menikmati alam yang tenang

dengan rasa boringnye aku update blog aku yang berabuk ni 

Bye November ♥

pejam celik dah nak 2013..& pejam celik tahun ni baru sekali x silap aku aku update blog.. dan with this that i will post thats mean..baru dua kali tahun 2012 update blog.. mcm-mcm tjadi 2012..awal tahun banyak masalah... dari dulu belajar & dah abis sekarang tidak tau buat ape-ape..

in saturday plk dah 1 disember.. dan xtau nak update ape ntah kt blog dgn lazy gile dgn lifeless gile.. uarghhhhhhhh!!!

aku tanak jadi loser.

pls?

anyone?

tade?

bosannye ~~~~~~~~~~~~

nak buat ape ni??????? ~~~~~

tolong lahhhhhh!!! arghhhhhhhhh

nokharom~~

Please give me an ideaaaa..give me ur brain..ur mind..i need update my blog!!

hekkkk hekkkkkk hekkkk...  Update ur blog?? did ur hve a talent iwan??

bosannye...........................................................................!!!!

bosannye

esok banyak lagi program akan dibuat

tido ahhhhhh cmni..................zZzzZzz

Benji Blunt x adidas Superstar 80s “Trojan”

Every artist has their early days, and Benji Blunt is no exception, putting out these Superstar 80s in 2010 inspired by the Trojan record label. The dark olive green uppers are accented with gold yellow side stripes and heel patch, as well as maroon red detailing. The finer points include Benji’s signature “b” on the tongue, and the Trojan name and logo branded on and below the heel patch.
Experimenting with technique by creating a simple colorway and clean design was Benji’s trick on these babies, as he learned the trade and got comfy in his customs lab. We were lucky enough to catch up with him and get the full lowdown on his inspiration and direction.

Benji, looking back, can you tell us why you picked Trojan Records as your inspiration for a custom shoe design?

I love the way British culture and music in particular is so diverse; we embrace the flavours of the world and that’s what Trojan did with the early Ska and Reggae sound. I like how it was able to reinvent itself for people like myself who were not old enough to appreciate it in its early days. Plus they packaged it all so well, the iconography and graphics were, and still are, genius.
Did their packaging and iconography also inspire the colorway you chose?
Yes, the colours are the red, gold, and green related to Rasta culture, albeit with a slight manipulation of the hues. I’m always drawn towards deep and rich colours and in this case I was heavily influenced in my love for the colours found in Indian fabric, food, and art. These shoes remind me of Saffron, Turmeric, and rich green leaves.

Back in those days what were you using to create your work?

I use a range of brushes with varying shaped tips and in a range of sizes, right down to 10/0 depending on the part of the shoe or design I am working on. This shoe was no exception, being painted with brushes and acrylic paint. The Trojan Helmet was painted using a metallic paint.

Speaking of details, can you tell us a bit about the finer points of your design?

These were the first shoes that I had bought new at full retail price for the purpose of customising so I really wanted to try and make them unique. The colourway, the logo, and the heel tab had to be a challenge for me to feel that I’d improved. Looking back I can see the ways in which I have gotten better at certain things now, but at that time this was really hard work! I wanted the tongue to represent my identity, so a letter “b” in the adidas font seemed quirky and original. The Trojan writing on the heel took forever to do, as I tried to copy the Trojan Records latin style script keeping it authentic looking. The Superstar 80s is a great silhouette as there’s no embossing on the heel tab so you’ve a clean, blank surface to work on.

It sounds like you learned a lot from these shoes!

Yeah, I definitely did, and it really helped to speed up my workflow. This shoe helped me grow in confidence as it was the first to earn me a little reassuring praise from my fellow sneaker heads. I guess the Safaristar (the shoe I did several months later) took the same amount of time, which seems crazy now, as there is far more detailing on that shoe. I really learned about the paint too; how it flows, dries and reflects light. I’m still learning all the time because every shoe is different and you’ve got to try new things.

This pair certainly seems to represent an important turning point in your customising career. What about Trojan themselves, how did they react?

They [the shoes] have done the rounds on the official Trojan site, which was a surprise to me! But what I’m most happy about is the response from the Trojan fans: these shoes got a lot of attention from them and I’ve had some really lovely comments on Facebook. Now I’m really glad that they have been photographed by you guys at eatmoreshoes as the pictures I took were a little amateur!
[laughs]

We’re happy too Benji, and quite thankful to feature yet another creative and meaningful piece of artwork from your laboratory. From these Superstar 80s Trojan’s in 2010 to the Superstar 2 Spitey’s in 2011, we’re eager to see what you’ve got hidden up your sleeves (or down your sockliners) for 2012!

Waste Land (2010)

Documentary ni pulak mengisahkan barang recycle yg dikitar jd sebuah ART 

 

Al-kisah

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

 

 

Mari mendownload

http://www.fileserve.com/file/P7eJgMT/waste.land.2010.dvdrip.xvid-nodlabs.avi 

atau

https://rapidshare.com/files/1574352398/waste.land.2010.dvdrip.xvid-nodlabs.avi 

atau

 

Torrent

http://thepiratebay.org/torrent/6228039/Waste.Land.2010.LiMiTED.SUBBED.DOCU.DVDRip.XviD-NODLABS

Subtitles

http://www.podnapisi.net/en/ppodnapisi/podnapis/i/1292160/showRelease/1/showYear/0/shortFormat/0/translateTitle/1

terbaik weh!